Brocchini Luca
Published by LucaBrocchini on Saturday, July 7, 2007 - 16:49:32
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When observing the complete range of LUCA BROCCHINI’s works, you can easily spot great cycles in sparkling and constant mutations, like variations arousing and slowly changing. About these variations we must therefore use the term “coherence” or, even better, harmony, because the constant comparison with Music always allows us to individuate each single work, in the different relationships with the support surface and with the environment where they are collocated. Painting compositions fully characterized by sign and colour: surface compositions |
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On this surface, somewhat so strange – but we know artistic experiences in this century stated the complete expressive and linguistic freedom – and not in this interior, Brocchini’s tale takes place: a lyrical, sparkling, sunny tale rather than a sombre, intimate and dark one.
As a consequence, the author’s choice was forcedly addressed to anti academic materials, as poor as the support itself is, and of an immediate deciphering, with a winking link with their collocation, both visibly and
linguistically credited.
It is obvious these choices are completely cultural ones, children of our time, as witnessed by import references of the past (between the Second Futurism and the New Dada ages) and present (from the “Generals” by Enrico Baj to the great “Woods” of Roberto Crippa, from Julian Schhnabel to the works of |